In 2018, I discussed the digital painting devices I had used up til then. These were a Lenovo Thinkpad X61t, a Lenovo Thinkpad Helix, a Microsoft Surface Pro 3, a Wacom Cintiq Hybrid Companion, an iPad Pro 12.9″, a Wacom Mobile Studio Pro 16″ and a Lenovo Yoga 920.
I didn’t discuss the Wacom Graphire, the Wacom Intuos 3, the Huion H610 or the Yiyniva MVP22U that I also had around, probably because apart from the Intuos 3, all of that hardware was stored in the Hardware Attic.
But recently, the Hybrid Companion became even more unusable (it was already bad because of the enormous parallax): the screen’s brightness just couldn’t reach visible levels anymore.
And the Wacom Mobile Studio Pro has been dying for over a year now — not good for expensive hardware bought only in 2017. When running as a computer, it would shut itself down randomly, probably because it was getting too hot. So I got myself a Wacom Link device so I could use it as a regular cintiq, but after two days of usage… The display would reset itself randomly and finally it wouldn’t power up anymore, at all.
Of the hardware in the original survey, I still have the Lenovo Yoga 920 — it just has had its screen replaced for the second time, but apart from that, it’s fine.
And the iPad is also still fine, probably because I don’t use it for anything but reading comics. The pencil these days never gets even charged because I don’t want to port Krita to iOS and I dislike all the drawing applications that are available for iOS. And the Pencil is really nasty to hold, because it’s top-heavy.
So, what came next…
In 2019, we acquired a Pixel Chromebook (a loaner from Google) and a Samsung Tab S4, for the ChromeOS and Android port. The Tab S4 is nice for reading comics, too, but screen is small and the pen is a bit too small to hold comfortably, for me at least. And Krita on Android is still a bit rough, so no way that would be my main drawing device. (Though Sharaf is working full-time now on improving Krita on ChromeOS and Android.)
Then we had the 2019 Krita Sprint, and I wanted to setup a working HDR test system, so I got an Intuos Pro Large. I hadn’t realized Large meant Huge though… It’s not a display tablet. I actually still like the old Intuos 3 we got crowdfunded in 2007 better.
The demise of the Mobile Studio Pro left me without a display tablet, so I decided to invest in a real Cintiq.
The 16″ model has been out of stock for quite some time now in the Netherlands. I thought, whatever, and got the 24″ one. There’s this saying about donkeys, and I guess I’ve proven I’m not a donkey, because once again, this was waaaaaaaay bigger than I had expected.
It has completely conquered my analog art table:
I’ve had it for three weeks now. Let me sum up my experience with it in the first part of this blog post. The second part is about the Remarkable 2 I received around the same time (I backed their fundraiser way back then).
First: this is the right size for a display tablet. Everything I’ve used before felt cramped, and that’s coming from someone who likes to paint on 3″ by 3″ panels with oils and brushes. At first, it feels downright heavenly to work on.
There are a bunch of severe issues with it, Windows 10 and the latest Wacom drivers. There are also issues using it with Linux + KDE’s Tablet KCM, but those aren’t really Wacom’s fault. I haven’t used it with my mac yet.
- I won’t whine about size and weight. But the bezels are ginormous, and though they are a nice magnetic area for the expresskeys remote to latch on to, they are just too much.
- If you turn up the display brightness, the fans start impersonating fighter jets taking off. If you don’t it’s really quite dim. And after a while, you get the fans anyway. I wish my drawing was good enough to get fans that easily.
- The thingy you click in to put your pen is is tacky, ugly and flimsy. Not a 2500 euro including VAT experience, not at all.
- The legs only have one elevation, though it’s quite a good elevation, for me.
- The driver and settings software and Windows 10 is GHASTLY.
Let me elaborate on that, because it really is a big deal.
On Windows, there are two ways for applications to talk to tablets, and vice-versa. The ancient and usually reliable “wintab” and the not-really-new-but-we-pretend-it-is and OS-supported “Windows 8 Pointer API, most often called “Windows Ink”.
By default Windows Ink is enabled. This totally makes it impossible to map either side of the rocker switch to right-click. If you do that, and try to use it, Windows will draw a round circle around the cursor and do nothing. You cannot even use it to right-click in Windows Explorer. Whether this is a Windows bug or a Wacom driver bug, I don’t know. I do know that the regular workaround for this issues, switching off flicks, is no longer possible in the latest builds of Windows 10.
This means, with Windows Ink enabled, you cannot right-click with the stylus. At all.
But if I disable Windows Ink in the calibration screen of the Wacom display settings utility (that means, we switch to Wintab), suddenly the right click button starts working! Yay! Both pan and the popup palette work in Krita!
Only… If you have a multi-monitor setup, and given that this is a display tablet, that’s a given, you will get offsets. The offsets get worse the more screens there are to the left of the cintiq. But even if you place the cintiq lef-most in Windows’ display configuration setting, tablet events arrive a bit to the left of the stylus point. And if your displays have a heterogenous scaling factor, the offset gets wild.
This is not a bug in Krita; it happens everywhere, but it doesn’t happen for the mouse events that are generated after the tablet events are discarded. Those are pretty much in the right place.
In short… You can have a right-click button on the stylus or accurate stylus mapping, but not both.
I guess we’ll learn to work around this in Krita by also looking at the mouse events, and taking the coordinates from that. But please, Wacom and Microsoft, work together to fix this?
So this weekend I wanted to test our last release by painting for a couple of hours. Instead it’s the third weekend I’ve spent investigating mouse/stylus/button issues and settings.
And now about the other device that arrived! It’ll never run Krita, but it promised to be very cool indeed. I got a Remarkable 2 tablet. That’s an e-ink display which promises the best ever writing experience.
I wanted to use it for notes, jottings, character sheets, and making diagrams while thinking. Also reading PDF’s of standards documents, programming manuals and articles about graphics and painting.
The hardware looks gorgeous, too. Very stylish, with a nice black pen, a nice leatherette cover and a flush screen design.
There are two problems, one I don’t care much about, and the other one damning.
The meh problem is that in order to put PDF’s on the tablet, you need an account and a Windows, Android or ipadOS application. Or you can futz around with ssh. Well, given that I ssh into our music sever laptop to start a screen session in which I run ogg123, that’s not a biggie. Might be for others, isn’t for me.
But… I’m a leftie. I’m not just to the left of AOC when it comes to politics, but I draw, paint and write with my left hand. Most of us lefties have learned to turn the paper counter-clockwise until the top is parallel with our hand.
Then we start to write.
On the remarkable this wil every friggin’ TIME that I start writing at the top of a page close that page because a gesture from the top downwards closes the open document.
It’s as if I’m crumpling up every piece of paper I’m writing on, always, all the time.
But apart from that, the acccuracy, speed, handwriting detection, screen quality, build quality — it’s all close to perfect. The pen is a bit too rough for my fingers, but okay, that would erode with enough use. Only, using the Remarkable is next to impossible for me!
ETA: I figured it out! I can hide the ui for selecting tools, and that also hides the thingy that closes the document on touch. I can finally use the Remarkable — though I still tend to create new pages all the time with the palm of my hand.